A Terminal of Memories

by Rudy Keane. Illustration by Michele Jung

This essay was a joint winner in the Tamariki category of the 2024 Warren Trust Awards for Architectural Writing.

Michele Jung A Terminal Of Memories Banner

From a distance, the airport looks normal. Huge planes lining the taxiways.

A fancy airport terminal, with a wave-shaped roof and tall poles holding up spacious balconies. Glass windows, spanning the perimeter of the building. A colossal control tower, concave concrete columns holding up a flying saucer-like viewpoint.

But as you get closer, the abandoned state of the airport becomes apparent. The roof is caved-in in some places, and the poles around the outside of the structure seem impossible – surely they should have collapsed by now? Almost all of the windows are smashed, gigantic shards of glass littering the dirty concrete below. And the control tower creaks, seemingly moments away from tumbling onto the building below.

A thousand acres of land stretching as far as the eye can see, the ground a mixture of perished brown grass and cracked concrete panels, painted with fading yellow and white markings. An asphalt runway, dilapidated as well, is littered with old planes falling apart.

Inside the ruined terminal building, it is just as eerily quiet as the plane graveyard a few hundred metres away. The only noise is the warm wind blowing through doors and holes in the walls. Does that wind remember the glory days of this deserted building?

The centre of the building is taken up by rows and rows of black leather chairs. A layer of grime rests on top of them, and as the wind blows in from an open door, more falls from the crumbling ceiling.

This abandoned building tells a story, though. Behind the damage and decay of the terminal, the history and legacy of this airport has been preserved. A split-flap departures board held up by two deteriorating poles shows the flights set to depart all those years ago. Did they ever take off, or arrive at their destination? We’ll never know. What stories did the passengers hold? Were they travelling to London to visit grandparents? Or to Milan to meet up with a childhood friend? Were they returning to their family after years apart?

On one of the leather seats in the centre of the building is a teddy bear with a red bow around its neck. Stuffing was spilling out a hole in its side. Perhaps it belonged to a young passenger, flying home after a holiday with her family. What happened to her and her family, on that fateful day all those years ago? That day when happiness and excitement to travel unwillingly gave way
to fear and distress.

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